marc garrett
2014-10-01 15:35:27 UTC
xCoAx 2015: 3rd International Conference on Computation, Communication,
Aesthetics and X (June 2015, Glasgow)
Dates: 25-26 June 2015
Location: Glasgow, UK
Website: http://xcoax.org/
Deadline for submissions: 18 January 2015
Computational tools and media, from traditional computers and software
to the latest wearable artifacts, sensors, haptic interfaces and more,
have dramatically transformed the landscape of arts, design, and several
other cultural forms.
xCoAx is an exploration of this environment in the form of a
multi-disciplinary enquiry on aesthetics, computation, communication and
the elusive x factor that connects them all.
xCoAx is meant as a hub for the exchange of ideas and the discovery of
interdisciplinary and international synergies, with the participation of
a diverse confluence of computer scientists, media practitioners and
theoreticians working on the frontiers of digital arts and culture.
Our focus has always been on critical and stimulating intersections:
between the computable and the uncomputable, the communicable and the
incommunicable, the chaos of creativity and the rules of algorithms, the
human and the machine, in a constant search for new directions in
aesthetics.
The trail-blazing first edition of xCoAx took place in Bergamo, Italy in
2013 and was followed by an even richer 2014 edition in Porto, Portugal.
They say ?third time?s the charm?, and with such a past we could not be
more excited for what?s to come.
Topics:
You are invited to submit theoretical, practical or experimental
research work that includes but is not limited to the following topics:
* Computation
* Communication
* Aesthetics
* X
* Algorithms / Systems / Models
* Artificial Aesthetics
* Audiovisuals / Multimodality
* Creativity
* Design
* Interaction
* Games
* Generative Art / Design
* History
* Mechatronics / Physical Computing
* Music / Sound Art
* Performance
* Philosophy of Art / of Computation
* Technology / Ethics / Epistemology
Important dates
Submissions open: 1 October 2014
Submission deadline: 18 January 2015
Notifications: 14 March 2015
Registration deadline for first authors: 14 April 2015
Delivery of final versions for publication: 14 April 2015
Exhibition opening: 24 June 2015
Conference: 25-26 June 2015
Additional information and submission details
* All works must be submitted via EasyChair ?
https://easychair.org/conferences/?conf=xcoax2015
* Submissions must be original and will be rigorously reviewed by an
international and multidisciplinary scientific committee, in a process
that will assess originality, relevance, aesthetic and technical
achievements;
* Reviewing will be double-blind for papers, single-blind for artworks
and performances, please omit all information about the authors in
double-blind submissions;
* Papers may be up to 10 pages long, and short-papers up to 4 pages
long, following the format in the Word template ?
http://xcoax.org/xcoax2015template.docx ;
* Artworks and performances should be accompanied by a two-page abstract
formatted using the same template and by one or more URLs for access to
relevant media assets;
* Submissions should be presented as .pdf files with all the media files
embedded or linked to online resources. Final versions for publication
should be delivered in .docx with all the images and other media files
attached as independent files;
* All images and media assets must be cleared for publication by the
authors;
* At least one of the authors of each contribution must register to the
conference before the first author registration deadline in order for
the work to be published in the proceedings;
* xCoAx?s working language is English;
* xCoAx?s conference proceedings (with ISBN) will be published online;
* Please contact the program chairs at info at xcoax.org with any questions
regarding submissions.
Conference format
Wednesday, June 24: Opening of the exhibition, reception cocktail.
Thursday, June 25: Conference and keynote. Presentations will be
organized in panels chaired by a moderator that will lead a final
discussion with authors and audience. A guest keynote will close the day.
Thursday, June 25, evening: Conference dinner.
Friday, June 26: Conference panels and short-paper session. Artworks and
performances presentations. Presentations and discussion will be
organized in the afternoon, networking authors and audience.
Friday, June 26, evening: Performances.
Friday, June 26, Night: Algorave.
Scientific committee
Alessandro Ludovico, Neural / Academy of Art Carrara
Alex McLean, Interdisciplinary Center for Scientific Research in Music,
University of Leeds
Alice Eldridge, University of Sussex
Alison Clifford, University of the West of Scotland
?lvaro Barbosa, University of Saint Joseph, Macao, China
Andr? Rangel, CITAR / Portuguese Catholic University
Andreas Muxel, K?ln International School of Design, University of
Applied Sciences Cologne
Andreas Zingerle
Arne Eigenfeldt, Simon Fraser University
Carlos Guedes, New York University Abu Dhabi
Chandler McWilliams, UCLA
Christian Faubel, Academy of Media Arts Cologne
Cretien Van Campen, Netherlands Institute for Social Research
Cristina S?, CITAR / School of the Arts, Portuguese Catholic University
in Porto
Damian Stewart
Daniel Schorno, STEIM
Diemo Schwarz, IRCAM
Francesca Pasquali, University of Bergamo
Francesco Monico, Ars Academy Research / Planetary Collegium
Francisco Cardoso Lima, Independent Artist, Aveiro
Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
Jo?o Cordeiro, University of Saint Joseph, Macao, China
Jason Reizner, Faculty of Computer Science and Languages, Anhalt
University of Applied Sciences
Jon McCormack, Monash University
Julio D'Escriv?n, University of Huddersfield
LIA, Artist, Vienna / FH Joanneum, Graz
Linda Kronman
Lu?s Gustavo Martins, CITAR / Portuguese Catholic University
Lu?sa Ribas, ID+ / Faculty of Fine Arts, University of Lisbon
Manuela Naveau, Ars Electronica
Mario Verdicchio, University of Bergamo
Martin Kaltenbrunner, Kunstuniversit?t Linz
Miguel Carvalhais, ID+ / Faculty of Fine Arts, University of Porto
Monty Adkins, University of Huddersfield
Nathan Wolek, Stetson University
Nicolas Makelberge, Symbio
Nina Wenhart, Linz
Pablo Garcia, School of the Art Institute of Chicago
Paulo Ferreira Lopes, Portuguese Catholic University, School of Arts
Pedro Cardoso, ID+ / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto
Penousal Machado, University of Coimbra
Philip Galanter, Texas A&M University
Roxanne Leit?o, The Cultural Communication and Computing Research
Institute, Sheffield Hallam University
Rui Torres, Faculty of Human and Social Sciences, University Fernando
Pessoa, Porto
Teresa Dillon, Independent Curator, Artist, Research & Educator
Tim Boykett, Time's Up
Titus von der Malsburg, University of Potsdam
Thor Magnusson, University of Brighton / ixi audio
Organizing committee
Andr? Rangel, CITAR / Portuguese Catholic University
Alison Clifford, University of the West of Scotland (Conference Chair)
Jason Reizner, Faculty of Computer Science and Languages, Anhalt
University of Applied Sciences
Mario Verdicchio, University of Bergamo
Miguel Carvalhais, ID+ / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto
Contacts
info at xcoax.org
twitter: @xcoaxorg
http://facebook.com/xcoax.org
Aesthetics and X (June 2015, Glasgow)
Dates: 25-26 June 2015
Location: Glasgow, UK
Website: http://xcoax.org/
Deadline for submissions: 18 January 2015
Computational tools and media, from traditional computers and software
to the latest wearable artifacts, sensors, haptic interfaces and more,
have dramatically transformed the landscape of arts, design, and several
other cultural forms.
xCoAx is an exploration of this environment in the form of a
multi-disciplinary enquiry on aesthetics, computation, communication and
the elusive x factor that connects them all.
xCoAx is meant as a hub for the exchange of ideas and the discovery of
interdisciplinary and international synergies, with the participation of
a diverse confluence of computer scientists, media practitioners and
theoreticians working on the frontiers of digital arts and culture.
Our focus has always been on critical and stimulating intersections:
between the computable and the uncomputable, the communicable and the
incommunicable, the chaos of creativity and the rules of algorithms, the
human and the machine, in a constant search for new directions in
aesthetics.
The trail-blazing first edition of xCoAx took place in Bergamo, Italy in
2013 and was followed by an even richer 2014 edition in Porto, Portugal.
They say ?third time?s the charm?, and with such a past we could not be
more excited for what?s to come.
Topics:
You are invited to submit theoretical, practical or experimental
research work that includes but is not limited to the following topics:
* Computation
* Communication
* Aesthetics
* X
* Algorithms / Systems / Models
* Artificial Aesthetics
* Audiovisuals / Multimodality
* Creativity
* Design
* Interaction
* Games
* Generative Art / Design
* History
* Mechatronics / Physical Computing
* Music / Sound Art
* Performance
* Philosophy of Art / of Computation
* Technology / Ethics / Epistemology
Important dates
Submissions open: 1 October 2014
Submission deadline: 18 January 2015
Notifications: 14 March 2015
Registration deadline for first authors: 14 April 2015
Delivery of final versions for publication: 14 April 2015
Exhibition opening: 24 June 2015
Conference: 25-26 June 2015
Additional information and submission details
* All works must be submitted via EasyChair ?
https://easychair.org/conferences/?conf=xcoax2015
* Submissions must be original and will be rigorously reviewed by an
international and multidisciplinary scientific committee, in a process
that will assess originality, relevance, aesthetic and technical
achievements;
* Reviewing will be double-blind for papers, single-blind for artworks
and performances, please omit all information about the authors in
double-blind submissions;
* Papers may be up to 10 pages long, and short-papers up to 4 pages
long, following the format in the Word template ?
http://xcoax.org/xcoax2015template.docx ;
* Artworks and performances should be accompanied by a two-page abstract
formatted using the same template and by one or more URLs for access to
relevant media assets;
* Submissions should be presented as .pdf files with all the media files
embedded or linked to online resources. Final versions for publication
should be delivered in .docx with all the images and other media files
attached as independent files;
* All images and media assets must be cleared for publication by the
authors;
* At least one of the authors of each contribution must register to the
conference before the first author registration deadline in order for
the work to be published in the proceedings;
* xCoAx?s working language is English;
* xCoAx?s conference proceedings (with ISBN) will be published online;
* Please contact the program chairs at info at xcoax.org with any questions
regarding submissions.
Conference format
Wednesday, June 24: Opening of the exhibition, reception cocktail.
Thursday, June 25: Conference and keynote. Presentations will be
organized in panels chaired by a moderator that will lead a final
discussion with authors and audience. A guest keynote will close the day.
Thursday, June 25, evening: Conference dinner.
Friday, June 26: Conference panels and short-paper session. Artworks and
performances presentations. Presentations and discussion will be
organized in the afternoon, networking authors and audience.
Friday, June 26, evening: Performances.
Friday, June 26, Night: Algorave.
Scientific committee
Alessandro Ludovico, Neural / Academy of Art Carrara
Alex McLean, Interdisciplinary Center for Scientific Research in Music,
University of Leeds
Alice Eldridge, University of Sussex
Alison Clifford, University of the West of Scotland
?lvaro Barbosa, University of Saint Joseph, Macao, China
Andr? Rangel, CITAR / Portuguese Catholic University
Andreas Muxel, K?ln International School of Design, University of
Applied Sciences Cologne
Andreas Zingerle
Arne Eigenfeldt, Simon Fraser University
Carlos Guedes, New York University Abu Dhabi
Chandler McWilliams, UCLA
Christian Faubel, Academy of Media Arts Cologne
Cretien Van Campen, Netherlands Institute for Social Research
Cristina S?, CITAR / School of the Arts, Portuguese Catholic University
in Porto
Damian Stewart
Daniel Schorno, STEIM
Diemo Schwarz, IRCAM
Francesca Pasquali, University of Bergamo
Francesco Monico, Ars Academy Research / Planetary Collegium
Francisco Cardoso Lima, Independent Artist, Aveiro
Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
Jo?o Cordeiro, University of Saint Joseph, Macao, China
Jason Reizner, Faculty of Computer Science and Languages, Anhalt
University of Applied Sciences
Jon McCormack, Monash University
Julio D'Escriv?n, University of Huddersfield
LIA, Artist, Vienna / FH Joanneum, Graz
Linda Kronman
Lu?s Gustavo Martins, CITAR / Portuguese Catholic University
Lu?sa Ribas, ID+ / Faculty of Fine Arts, University of Lisbon
Manuela Naveau, Ars Electronica
Mario Verdicchio, University of Bergamo
Martin Kaltenbrunner, Kunstuniversit?t Linz
Miguel Carvalhais, ID+ / Faculty of Fine Arts, University of Porto
Monty Adkins, University of Huddersfield
Nathan Wolek, Stetson University
Nicolas Makelberge, Symbio
Nina Wenhart, Linz
Pablo Garcia, School of the Art Institute of Chicago
Paulo Ferreira Lopes, Portuguese Catholic University, School of Arts
Pedro Cardoso, ID+ / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto
Penousal Machado, University of Coimbra
Philip Galanter, Texas A&M University
Roxanne Leit?o, The Cultural Communication and Computing Research
Institute, Sheffield Hallam University
Rui Torres, Faculty of Human and Social Sciences, University Fernando
Pessoa, Porto
Teresa Dillon, Independent Curator, Artist, Research & Educator
Tim Boykett, Time's Up
Titus von der Malsburg, University of Potsdam
Thor Magnusson, University of Brighton / ixi audio
Organizing committee
Andr? Rangel, CITAR / Portuguese Catholic University
Alison Clifford, University of the West of Scotland (Conference Chair)
Jason Reizner, Faculty of Computer Science and Languages, Anhalt
University of Applied Sciences
Mario Verdicchio, University of Bergamo
Miguel Carvalhais, ID+ / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto
Contacts
info at xcoax.org
twitter: @xcoaxorg
http://facebook.com/xcoax.org